After spending the year “bringing down the house” in Chicago (Variety) and being a “glorious, full-blooded voice” in Giant at the Public Theater (Wall Street Journal), KT sets her sights on Christmas, with a night of carols re-written, standards re-imagined, and New York’s finest, funniest voices. Having penned three albums and two-and-a-half musicals, this “rich-voiced powerhouse” (Los Angeles Times) promises to “put the mayhem back in Bethlehem” (Katie Thompson) at 54 Below.
After spending the year “bringing down the house” in Chicago (Variety) and being a “glorious, full-blooded voice” in Giant at the Public Theater (Wall Street Journal), KT sets her sights on Christmas, with a night of carols re-written, standards re-imagined, and New York’s finest, funniest voices. Having penned three albums and two-and-a-half musicals, this “rich-voiced powerhouse” (Los Angeles Times) promises to “put the mayhem back in Bethlehem” (Katie Thompson) at 54 Below.