Part Pygmalion, part Busby Berkeley, part self-help lexicon, Stop Hitting Yourself borrows from the plots of 1930's musicals to dig deep into the contemporary conservative dilemma: how to honor steely individualism without disavowing the virtue of charity, all the while tap-dancing around a queso fountain.
Part Pygmalion, part Busby Berkeley, part self-help lexicon, Stop Hitting Yourself borrows from the plots of 1930's musicals to dig deep into the contemporary conservative dilemma: how to honor steely individualism without disavowing the virtue of charity, all the while tap-dancing around a queso fountain.