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The Phantom of the Opera Critics’ Reviews

This lush romantic smash is Broadway’s longest-running show.

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About The Phantom of the Opera

The longest-running show in Broadway history, Andrew Lloyd Webber’s The Phantom of the Opera debuted in 1988, winning seven Tony Awards® including Best Musical. Based on Gaston Leroux’s horror novel, it tells the enticing story of the Phantom, who haunts the stage of the Paris Opera and subsequently falls in love with a beautiful young soprano. Audiences are in for a thrilling night of spectacle and romance, accompanied by Broadway’s most unforgettable score.

Reviews

critics reviews Critics’ Reviews (4)
A collection of our favorite reviews from professional news sources.
NY1

"Phantom rules! It remains as fresh and spectacular as ever. Andrew Lloyd Webber's score has a visceral tug more than almost any score written in the past 20 years. Beautiful and romantic, I have to tip my hat: The Phantom of the Opera has aged divinely."

NY1

Roma Torre

The New York Times

"Phantom still delivers the goods! Judging by sheer invention, emotional punch and onstage talent, the venerable blockbuster still beats out almost all of the shippersnappers currently on Broadway. Maria Bjornson's flamboyant gothic design and Harold Prince's fantastical staging still have the gleam of finely polished professionalism."

The New York Times

Jason Zinoman

"Phantom is still wonderful and isn't showing its age one bit! The chandelier still falls on cue and the show still rises to the top of all the musicals ever to appear on Broadway. I hope I listen to the music of the night forever!"

WOR Radio

David Richardson

The New York Times

"It may be possible to have a terrible time at The Phantom of the Opera, but you'll have to work at it. Only a terminal prig would let the avalanche of pre-opening publicity poison his enjoyment of this show, which usually wants nothing more than to shower the audience with fantasy and fun, and which often succeeds, at any price. The physical production, Andrew Bridge's velvety lighting included, is a tour de force throughout–as extravagant of imagination as of budget."

The New York Times

Frank Rich

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